Pj harvey white chalk torrent download

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She sounds like a wraith or a lost child, terrifyingly so on 'The Mountain' where she breaks the tension with a spine-tingling shriek just before the album ends. When she's at the peak of her powers, as she is on this frightening yet fearless album, the world she creates is impossible to forget, or shake off easily. White Chalk can make you shiver on a sunny day.

White chalk hills are all I've known White chalk hills will rot my bones White chalk sticking to my shoes White chalk playing as a child with you White chalk sands against time White chalk cutting down the sea at night I walk the valleys by the surf On a path cut 1500 years ago And I know These chalk hills will rot my bones Dorset's cliffs meet at the sea Where I walked our unborn child in me White chalk poor scattered land Scratched my palms There's blood on my hands. Polly Jean Harvey's appearance on the cover of White Chalk -- all wild black hair and ghostly white dress -- could replace the dictionary definition of eerie, and the album itself plays like a good ghost story. Harvey doesn't just capture isolation and anguish; she makes fear, regret, and loneliness into entities. There is a list of URLs on top of this page where you might want to start your search. Track listingAll songs written by PJ Harvey. We Strongly Recommend Using to Anonymize your Torrenting. The album does indeed sound timeless, or at least, not modern. It rivals Dance Hall at Louse Point for its willingness to challenge listeners, but it's far removed from Uh Huh Her, which was arguably more listenable but a lot less remarkable.

Polly Jean Harvey's appearance on the cover of White Chalk -- all wild black hair and ghostly white dress -- could replace the dictionary definition of eerie, and the album itself plays like a good ghost story. In fact, this may be Harvey's most undiluted album yet.

White Chalk - It's also one of her most beautiful albums, inspired by the fragility and timelessness of chalk lines and her relative newness to the piano, which dominates White Chalk; it gives 'Before Departure' funereal heft and 'Grow Grow Grow' a witchy sparkle befitting its incantations. All my being is now in pining' could be written by one of the Brontoe sisters.

Polly Jean Harvey's appearance on the cover of White Chalk -- all wild black hair and ghostly white dress -- could replace the dictionary definition of eerie, and the album itself plays like a good ghost story. It's haunted by British folk, steeped in Gothic romance and horror, and almost impossible to get out of your head, despite but really because of how unsettling it becomes. White Chalk is Harvey's darkest album yet -- which, considering that she's sung about dismembering a lover and drowning her daughter, is saying something. It's also one of her most beautiful albums, inspired by the fragility and timelessness of chalk lines and her relative newness to the piano, which dominates White Chalk; it gives 'Before Departure' funereal heft and 'Grow Grow Grow' a witchy sparkle befitting its incantations. Most striking of all, however, is Harvey's voice: she sings most of White Chalk in a high, keening voice somewhere between a whisper and a whimper. She sounds like a wraith or a lost child, terrifyingly so on 'The Mountain' where she breaks the tension with a spine-tingling shriek just before the album ends. This frail persona is almost unrecognizable as the woman who snarled about being a 50-foot queenie -- yet few artists challenge themselves to change their sound as much as she does, so paradoxically, it's a quintessentially PJ Harvey move. The album does indeed sound timeless, or at least, not modern. White Chalk took five months to record with Harvey's longtime collaborators Flood, John Parish, and Eric Drew Feldman, but these somber, cloistered songs sound like they could be performed in a parlor, or channeled via Ouija board. There is hardly any guitar and certainly nothing as newfangled as electric guitar besides the acoustic strumming on the beautifully chilly title track, which could pass for an especially gloomy traditional British folk song. All my being is now in pining' could be written by one of the Brontoe sisters. On a deeper level, White Chalk feels like a freshly unearthed relic because it runs so deep and dark. Harvey doesn't just capture isolation and anguish; she makes fear, regret, and loneliness into entities. In these beautiful and almost unbearably intimate songs, darkness is a friend, silence is an enemy, and a piano is a skeleton with broken teeth and twitching red tongues. What makes the album even more intriguing is that it doesn't really have much in common with the work of Harvey's contemporaries although Joanna Newsom's Ys and Scott Walker's The Drift come to mind, mostly for their artistic fearlessness or even her own catalog. It rivals Dance Hall at Louse Point for its willingness to challenge listeners, but it's far removed from Uh Huh Her, which was arguably more listenable but a lot less remarkable. In fact, this may be Harvey's most undiluted album yet. When she's at the peak of her powers, as she is on this frightening yet fearless album, the world she creates is impossible to forget, or shake off easily. White Chalk can make you shiver on a sunny day. Track listingAll songs written by PJ Harvey. Grow Grow Grow 3:234. When Under Ether 2:255. To Talk to You 4:019.